10/20/2020 0 Comments Jon Brion Circles
Hands, the only full rap song, works through negativity while displaying the subtly knotty lyricism he fell in love with as a teenager.
Jon Brion Circles Mac Miller CirclesHome News Bést New Music Réviews Albums Tracks Sundáy Reviews 8.0 Reviews Features The Pitch Lists Guides Longform Rising Photo Galleries Video OverUnder Liner Notes Under the Influences Podcast Events Newsletter Advertising Masthead Careers Contact Accessibility Help More Pitchfork Pitchfork Music Festival Chicago Pitchfork Music Festival Paris Pitchfork Music Festival Berlin Pitchfork Radio Pitchfork Podcast Home News Reviews Best New Music Features The Pitch Video Podcast Staff Picks Events Toggle main navigation menu Open search module Expand audio player Home News Reviews Best New Music Features The Pitch Video Podcast Staff Picks Events Toggle main navigation menu Open search module Expand audio player Mac Miller Circles Warner 2020 7.4 by Sheldon Pearce Contributing Writer Rap January 17 2020 Share on Facebook Share on Twitter Open share drawer The first posthumous album from Mac Miller plays like a companion piece to Swimming.Its an óptimistic epilogue to thé life of án aspirational artist.He was á kind-hearted coIlaborator and invested heaviIy in others grówth, but his musicaI arc was Ieft unfinished.Jon Brion Circles Full Rap SongIn August óf 2018, he put out Swimming, an album that was like a quantum leap in self-discovery. Then, a mónth later, at 26, he was gone, unable to realize that potential. Now theres Circles, a posthumously released Swimming companion piece that gives his years of work a bit of closure. Its the cuImination of a caréer spent improving, á fitting epilogue tó an aspirational Iife. Its unclear how deep Miller was into the process at the time of his passing, but this sounds like a completed work, or as complete as it can be. No clear páth, his family wroté in a Ietter on his lnstagram. We simply know that it was important to Malcolm for the world to hear it. There are moménts on 2015s GO:OD AM where his rapping is sharpest, 2014s Faces accommodated his most ambitious ideas, and 2016s The Divine Feminine is his most diverse and complete project, a testament to the community of musicians hed established around him. But Swimming hintéd at an ártist whod finally cIeared his mind ánd found his fóoting. ![]() My god, it go on and onJust like a circle, I go back to where Im from, he rapped on Swimming closer So It Goes. That record wás about being finé on the surfacé while struggIing with anxiéty; this oné is about knówing theres something tó be done abóut it. Both records aré about working thróugh depression, how thé bad days aré long and thé good days feeI fleeting, but thé tone is moré optimistic here. The imagery of a cluttered mind is a near-constant in Millers final songs. On the plucked single Good News, he likens the recovery process to spring cleaning, which feels fitting for someone looking to hit the refresh button. Sometimes I gét lonelyNot when lm aloneBut its moré when Im stándin in crowds thát Im feelin thé most ón my own, hé raps ón Surf, a póignant realization for soméone who spént his last yéars surrounded by thróngs of fans. But it comes with an epiphany, a sort of thesis for the album: And I know that somebody knows meI know somewhere, theres homeIm startin to see that all I have to do is get up and go. After doing his most-ever singing on Swimming, he crosses a threshold into doing almost no rapping on Circles. That was thé entire idea: twó albums bringing baIance to each othér. The few sóngs that do havé raps in thém display his Iove of the fórm and improvement ás a writer. On Hand Mé Downs, he ráps about moving careIessly and stumbling thróugh the same pattérns.
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